Nominaciones de la Asociación Internacional de Críticos de Música de Cine 2013 (IFMCA Award)

Un año más nos llegan las nominaciones de los críticos especializados en música cinematográfica (filmmusiccritics.org), que en la presente edición incluyen más de una sorpresa. Estas son las nominaciones:
FILM SCORE OF THE YEAR
  • Evil Dead, music by Roque Baños
  • Grand Piano, music by Víctor Reyes
  • Gravity, music by Steven Price
  • The Hobbit: The Desolation of Smaug, music by HowardShore
  • Romeo and Juliet, music by Abel Korzeniowski
FILM COMPOSER OF THE YEAR
  • Roque Baños
  • Laurent Eyquem
  • Abel Korzeniowski
  • Steven Price
  • Brian Tyler
BREAKTHROUGH FILM COMPOSER OF THE YEAR
  • César Benito
  • Sarah Class
  • Alexander Ebert
  • Laurent Eyquem
  • Steven Price
BEST ORIGINAL SCORE FOR A DRAMA FILM
  • The Best Offer [La Migliore Offerta], music by Ennio Morricone
  • The Book Thief, music by John Williams
  • Copperhead, music by Laurent Eyquem
  • Romeo and Juliet, music by Abel Korzeniowski
  • Summer in February, music by Benjamin Wallfisch
BEST ORIGINAL SCORE FOR A COMEDY FILM
  • Instructions Not Included [No Se Aceptan Devoluciones], music by Carlo Siliotto
  • Quai d’Orsay, music by Philippe Sarde
  • The Secret Life of Walter Mitty, music by Theodore Shapiro
  • This is the End, music by Henry Jackman
  • Venus in Fur [La Vénus à la Fourrure], music by Alexandre Desplat
BEST ORIGINAL SCORE FOR AN ACTION/ADVENTURE/THRILLER FILM
  • Grand Piano, music by Víctor Reyes
  • Iron Man 3, music by Brian Tyler
  • Passion, music by Pino Donaggio
  • Rubinrot, music by Philipp F. Kölmel
  • Stalingrad, music by Angelo Badalamenti
BEST ORIGINAL SCORE FOR A FANTASY/SCIENCE FICTION/HORROR FILM
  • Escape From Tomorrow, music by Abel Korzeniowski
  • Evil Dead, music by Roque Baños
  • Gravity, music by Steven Price
  • The Hobbit: The Desolation of Smaug, music by HowardShore
  • Star Trek Into Darkness, music by Michael Giacchino
BEST ORIGINAL SCORE FOR AN ANIMATED FEATURE
  • The Croods, music by Alan Silvestri
  • Epic, music by Danny Elfman
  • Frozen, music by Christophe Beck
  • Planes, music by Mark Mancina
  • The Wind Rises [Kaze Tachinu], music by Joe Hisaishi
BEST ORIGINAL SCORE FOR A DOCUMENTARY
  • Africa, music by Sarah Class
  • Anne & Alet, music by Mark Rayen Candasamy
  • Die Nordsee: Unser Meer, music by Oliver Heuss
  • Space Shuttle Columbia: Mission of Hope, music by Blake Neely
  • Tim’s Vermeer, music by Conrad Pope
BEST ORIGINAL SCORE FOR A TELEVISION SERIES
  • Czas Honoru, music by Bartosz Chajdecki
  • Da Vinci’s Demons, music by Bear McCreary
  • El Tiempo Entre Costuras, music by César Benito
  • Game of Thrones, music by Ramin Djawadi
  • Isabel, music by Federico Jusid
BEST ORIGINAL SCORE FOR A VIDEO GAME OR INTERACTIVE MEDIA
  • Assassin’s Creed IV: Black Flag, music by Brian Tyler
  • Beyond: Two Souls, music by Lorne Balfe
  • Company of Heroes 2, music by Cris Velasco
  • Puppeteer, music by Patrick Doyle
  • Remember Me, music by Olivier Deriviére
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE – RE-RELEASE OR RE-RECORDING
  • Breakfast at Tiffany’s, music by Henry Mancini; album produced by Douglass Fake and Roger Feigelson; liner notes by Jeff Bond; album art direction by Joe Sikoryak (Intrada)
  • QB VII, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Damien Doherty, James Fitzpatrick and GINKO DIGI (Prometheus/Tadlow)
  • The Salamander, music by Jerry Goldsmith; re-recording conducted by Nic Raine; album produced by James Fitzpatrick; liner notes by Frank K. De Wald; album art direction by Paul de Blieck, Johan van den Broeck and GINKO DIGI (Prometheus/Tadlow)
  • The Wild Bunch, music by Jerry Fielding; album produced by Lukas Kendall; liner notes by Lukas Kendall and John Takis; album art direction by Joe Sikoryak (Film Score Monthly)
  • Wyatt Earp, music by James Newton Howard; album produced by Dan Goldwasser; liner notes by Tim Grieving; album art direction by Dan Goldwasser (La-La Land)
BEST ARCHIVAL RELEASE OF AN EXISTING SCORE – COMPILATION
  • Doctor Who: The 50th Anniversary Collection, music by Various Composers; album produced by Mark Ayres, Reynold DaSilva and David Stoner; liner notes by Mark Ayres; album art direction by Stuart Ford (Silva Screen)
  • Lethal Weapon Soundtrack Collection, music by Michael Kamen, Eric Clapton and David Sanborn; album produced by Neil S. Bulk and MV Gerhard; liner notes by Jeff Bond; album art direction by Jim Titus (La-La Land)
  • Michel Legrand Anthology, music by Michel Legrand; album produced by Stéphane Lerouge; liner notes by Stéphane Lerouge; album art direction by Jerome Witz-Gilles Guerlet (Universal/Écoutez le Cinéma!)
  • Varèse Sarabande: A 35th Anniversary Celebration, music by Various Composers; album produced by Robert Townson; liner notes by Robert Townson; album art direction by Robert Townson and Bill Pitzonka (Varèse Sarabande)
  • The X-Files: Volume Two, music by Mark Snow; album produced by Mark Snow, Mike Joffe and Nick Redman; liner notes by Randall D. Larson; album art direction by Mark Banning (La-La Land)
FILM MUSIC RECORD LABEL OF THE YEAR
  • Intrada Records, Douglass Fake and Roger Feigelson
  • La-La Land Records, MV Gerhard and Matt Verboys
  • Moviescore Media, Mikael Carlsson
  • Prometheus Records/Tadlow Music, Luc Van de Ven and James Fitzpatrick
  • Quartet Records, Jose M. Benitez
FILM MUSIC COMPOSITION OF THE YEAR
  • “The Book Thief” from The Book Thief, music by John Williams
  • “The Grand Finale” from Escape From Tomorrow, music by Abel Korzeniowski
  • “Abominations Rising” from Evil Dead, music by Roque Baños
  • “Beyond the Forest” from The Hobbit: The Desolation of Smaug, music by Howard Shore
  •  “A Thousand Times Goodnight” from Romeo and Juliet, music by Abel Korzeniowski

Comentarios

Manoel ha dicho que…
SÍ! Muy buenas nominaciones. Abel Korzeniowski és definitivamente el mejor compositor del año. Creo todavia que Desplat merecia algo por su "Philomena".
Manoel ha dicho que…
Este comentario ha sido eliminado por el autor.
Scoresdecine ha dicho que…
Pienso exactamente lo mismo que tú en los dos casos. El score de Desplat es magistral y los dos de Korzeniowski de auténtico lujo. Saludos.