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EDICIONES ESPECIALES EN VINILO DE SCORES DE NICHOLAS CARRAS



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VARÈSE EDITA EN VINILO EN AGOSTO "HEATHERS" DE DAVID NEWMAN


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SONY EDITA EN VINILO EN OCTUBRE "SPIDER-MAN: LEJOS DE CASA" DE MICHAEL GIACCHINO


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PODCAST JOHN SCOTT EN LOS AÑOS 80

Uno de los grandes compositores cinematográficos es, sin duda, el británico John Scott. Tras el especial dedicado con anterioridad, pero sin comentario, se merecía uno hablando sobre sus magníficos scores. Me he centrado en la que considero su mejor etapa: los años 80. De ella, la selección es la siguiente:
El final de la cuenta atrás, Yor,el cazador que vino del futuro, To the ends of the Earth, Greystoke: La leyenda de Tarzán,el rey de los monos, La cacería, Amazon, Harem, Lord Mountbaten: The last viceroy, King Kong 2, Bala blindada, Dispara a matar, La secta de los falsarios, Winter people.
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WATERTOWER EDITA "AQUAMAN" DE RUPERT GREGSON-WILLIAMS (EDICIÓN DE LUJO)


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MARVEL Y HOLLYWOOD RECORDS EDITAN LA TERCERA TEMPORADA DE "JESSICA JONES" (SEAN CALLERY)


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SONY EDITA EN AGOSTO EL SCORE DE HEITOR PEREIRA PARA "PLAYMOBIL. THE MOVIE"


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WAGRAM EDITA EN VINILO SCORES DE ÉRIC SERRA DE PELÍCULAS DE LUC BESSON






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REEDICIÓN DE LA MÚSICA DE BILL CONTI PARA "YELOWSTONE"




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PODCAST MUSICALES DE LOS AÑOS 80

Tras los 70 le llega el turno a los años 80 dentro del cine musical, con bandas sonoras que, hoy en día, son de culto. La selección es la siguiente:

Granujas a todo ritmo, Fama, El cantor de jazz, Xanadú, Grease 2, Victor o Victoria, El muro, Yentl, A chorus line, La tienda de los horrores, Laberinto,  Fievel y el Nuevo Mundo.

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LA-LA LAND EDITA EN 5 CD "PLANET OF THE APES – ORIGINAL FILM SERIES SOUNDTRACK COLLECTION" DE JERRY GOLDSMTIH, LEONARD ROSENMAN Y TOM SCOTT

Toda la información haciendo clic en la imagen superior.


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NOMINACIONES MUSICALES A LOS EMMY EN SU EDICIÓN 71

Los próximos 14 y 15 de septiembre se entregarán en el Teatro Microsoft de Los Ángeles los premios artísticos de la ceremonia nº 71 de los premios televisivos Emmy, siendo los llamados principales entregados el 22 del mismo mes (lista completa aquí). En lo que se refiere a los apartados musicales, estos son los nominados:


Outstanding Music Composition for a Series (Original Dramatic Score):

Barry – What?! – Music by David Wingo
Game of Thrones – The Long Night – Music by Ramin Djawadi
House of Cards – Chapter 73 – Music by Jeff Beal
The Handmaid’s Tale – The Word – Music by Adam Taylor
This Is Us – Songbird Road: Part One – Music by Siddhartha Khosla

Outstanding Music Composition for a Limited Series, Movie or a Special (Original Dramatic Score):

Chernobyl – Please Remain Calm – Music by Hildur Guðnadóttir
Escape at Dannemora – Episode 5 – Music by Edward Shearmur
Good Omens – In the Beginning – Music by David Arnold
True Detective – The Final Country –  Music by T Bone Burnett & Keefus Ciancia
When They See Us – Part Two – Music by Kris Bowers

Original Main Title Theme Music:

Castle Rock – Theme by Thomas Newman
Crazy Ex-Girlfriend – Theme by Rachel Bloom, Jack Dolgen & Adam Schlesinger
Good Omens – Theme by David Arnold
Our Planet – Theme by Steven Price
Succession– Theme by Nicholas Britell

Outstanding Music Composition for a Documentary Series or Special (Original Dramatic Score):

Free Solo – Music by Marco Beltrami & Brandon Roberts
Game of Thrones: The Last Watch – Music by Hannah Peel
Hostile Planet – “Oceans” – Music by Benjamin Wallfisch
Love, Gilda – Music by Miriam Cutler
Our Planet – “One Planet” – Music by Steven Price
RBG – Music by Miriam Cutler

Original Music and Lyrics:

72nd Tony Awards – Song Title: This One’s For You – Music & Lyrics by Sara Bareilles & Josh Groban
Crazy Ex-Girlfriend – I Have To Get Out / Song Title: Antidepressants Are So Not A Big Deal – Music & Lyrics by Rachel Bloom & Adam Schlesinger, Lyrics by Jack Dolgen
Documentary Now – Original Cast Album: Co-op / Song Title: Holiday Party (I Did A Little Cocaine Tonight) – Music by Eli Bolin, Lyrics by Josh Mulaney & Seth Meyers
Flight Of The Conchords: Live In London – Song Title: Father & Son – Music by Bret McKenzie & Jemaine Clement
Saturday Night Live – Host: James McAvoy / Song Title: The Upper East Side – Music by Eli Brueggemann, Lyrics by Bryan Tucker & Leslie Jones
Song of Parkland – Song Title: Beautiful Things Can Grow – Music by Mark Sonnenblick, Lyrics by Ashley Paseltiner & Molly Reichard

Oustanding Music Direction: 

Aretha! A Grammy Celebration For The Queen Of Soul – Rickey Minor
Fosse/Verdon – “Life Is a Cabaret” – Alex Lacamoire
Homecoming: A Film By Beyoncé – Beyoncé Knowles-Carter & Derek Dixie
Q85: A Musical Celebration For Quincy Jones – Part 1 – Greg Phillinganes
Saturday Night Live – “Host: Adam Sandler” – Lenny Pickett, Leon Pendarvis & Eli Brueggemann
The Oscars – Rickey Minor

Outstanding Music Supervision:

Better Call Saul – Something Stupid – Thomas Golubić
Fosse/Verdon – Life Is A Cabaret – Steven Gizicki
Quincy – Jasper Leak
Russian Doll – Nothing In This World Is Easy – Brienne Rose
The Marvelous Mrs. Maisel – We’re Going To The Catskills! – Robin Urdang, Amy Sherman-Palladino & Daniel Palladino


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MILAN EDITA LA TERCERA TEMPORADA DE "HARLOTS" DE RAEL JONES


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INTRADA REEDITA "EL SECRETO DE LA PIRÁMIDE" DE BRUCE BROUGHTON



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PLAZA MAYOR EDITA "POP BLACK POSTA" DE MARCO WERBA

What would happen if someone spy your mail? This is what a wild and over the lines group of characters will discover in a claustrophobic atmosphere and over the lines. When a reassuring place as a post office turns into a nightmare, the only way to get out of it is to test yourself: secrets kept jealously will pop up while Good and Bad become increasingly difficult to recognize.

Notes from the composer

I met director Marco Pollini through writer Debora Scalzo. Marco told me about a thriller in preparation for the title "Pop Black Posta". The story was captivating: A woman kidnaps some people inside a post office, apparently without a reason. Only at the end the motivations, and the anger that had pushed her to make this gesture, to the extreme consequences, will be understood. Marco Pollini did a great job with the actors and the film manages to communicate fear, anguish, despair but also hope. In previous years I had already had the opportunity to work for captivating thriller movies, such as "Giallo" by Dario Argento, for which I had won three awards, "Colour from the Dark" by Ivan Zuccon, "Jack Attack" by Bryan Norton and Antonio Padovan , "Mr Hush" by David Lee Madison, "The Inflicted" by Matthan Harris and "Native" by John Real (for which I won the italian "Golden Globe"). This was therefore another interesting opportunity to write a film score that could again communicate strong emotions. As you know, there are two schools of thought for thriller soundtracks, the first is based on a symphonic orchestral music, the second on an experimental electronic music. In this film I tried to merge the two schools of thought together, mixing the "Bulgarian National Radio Symphony Orchestra" with disturbing electronic sounds, to wrap the viewer and make him more involved in this compelling storyline. We went with the director to Sofia, together with sound engineer Marco Streccioni and his assistant Gabriele Conti, and we recorded the orchestra with a mix of digital sounds synchronized with the images. Alessia’s theme, for piano and strings, is the cornerstone of this soundtrack and is linked to the protagonist, played by actress Antonia Truppo. In a second moment I asked my collaborator Federico Ricci to write an additional music theme for the final scenes, to enrich the existing musical themes and introduce new thematic material. We recorded all the music in 5.1. at the studio "Stone Recording Studio" in Rome and the final mix of dialogues, music and sound effects was done by Gianfranco Tortora at the studios "Il Suono del Sud". We worked hard to find a balance between the various components of the soundtrack and the right volume between music and sound effects.
I am delighted to have worked again with Jacques Dejean and “Plaza Mayor”, with whom I had already had the chance to team up for the action/thriller "Dead on Time".



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EDICIONES ESPECIALES EN VINILO DE "¿QUIÉN ENGAÑÓ A ROGER RABBIT?" (ALAN SILVESTRI) Y "BLADE RUNNER 2049" (HANS ZIMMER & BENJAMIN WALFISCH)



BLADE RUNNER 2049 - Original Motion Picture Soundtrack 2XLP. Music by Hans Zimmer and Benjamin Walfisch. Artwork by Viktor Kalvachev. Additional design by Chris Bilheimer. SDCC Exclusive Pressed on 2X 180 Gram Clear with White and Blue mix, Opaque Orange colored vinyl (limited to 500 copies) Webstore edition pressed on 2X 180 Gram Teal and Pink colored vinyl. Expected to Ship in August 2019. Ships Worldwide. $40
Hans Zimmer and Benjamin Wallfisch were given the near impossible task of scoring the sequel to one of the greatest and most beloved science-fiction films of all time. The original BLADE RUNNER had an incredible score by Vangelis that has gone on to be one of the most iconic pieces of music in film history, so it’s to their credit that they absolutely knock it out the park with 2049. 
What they do with the music in 2049 is astonishing. It makes you feel like you’re in the same universe as the original film, but it’s also apparent that things have changed. There are hints at the past but also strange and beautiful new sounds to explore and get lost in. Expansive, dreamy yet forceful, and propulsive when it needs to be, the score to 2049 is a little more downbeat than the original. The sonics throughout are incredible, and it really feels like you’re wandering strange neon-lit alleyways with no clue where you are. 
It’s a truly beautiful (and beguiling) listen that captures real human emotion alongside more artificial replicant soundscapes. BLADE RUNNER 2049 features Viktor Kalvachev’s art with a spot Varnish Cover and layout by Chris Bilheimer.
Composer Benjamin Walfisch and artist Viktor Kalvachev will be in attendance on Thursday July 18th at 3:00PM to sign copies of the record at our booth #435.
SDCC Exclusive Colored Vinyl
Standard Edition Colored Vinyl
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NOVEDADES DE LA SEMANA (8-14 DE JULIO)


Otra semana más con las últimas ediciones anunciadas, destacando las siguientes:

  • BSX RECORDS. Dos scores bien diferentes: el televisivo 'Secrets of the Titanic' del mítico Craig Safan y 'Evil toons' de Chuck Cirino.
  • PARAMOUNT. Edición digital de la banda sonora de la última película de terror del francés Alexandre Aja 'Infierno bajo el agua', con música de los desconocidos Max Aruj y Steffen Thum.
  • MILAN. Entre otros scores digitales, sobresale la música de Nobuko Toda y Kazuma Jinouchi para la serie animada Netlfix 'Ultraman'.
  • QUARTET. En su tradicional hornada estival nos ofrecen, entre otras, 'Megan Leavey' de Mark Isham y 'The accordionist's son' de Fernando Velázquez.
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PODCAST MUSICALES DE LOS AÑOS 70

Programa dedicado a los grandes musicales que nos ha regalado la década de los 70, en concreto:

Muchas gracias,Mr. Scrooge, El violinista en el tejado, El hombre de La Mancha, Cabaret,  Jesucristo Superstar, El pequeño príncipe, Tommy, The Rocky Horror Picture Show, Ha nacido una estrella, Fiebre del sábado noche, Grease, All that jazz, Hair.

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MILAN EDITA EL SCORE DE NATHANIEL MÉCHALY PARA "PERSONA NON GRATA"


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EDICIÓN DIGITAL DEL SCORE DE NIMA FAKHRARA PARA "DESOLATE"


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PODCAST STAR TREK DE CINE (PARTE 2)

Segunda y última parte dedicada a las películas de la saga Star Trek, desde la séptima hasta la decimotercera, con la la firma de los compositores Jerry Goldsmith, Michael Giacchino y Dennis McCarthy.
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NOVEDADES DE QUARTET RECORDS






Información en quartetrecords.com
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REEDICIONES EN VINILO DE WARNER




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