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MILAN EDITA EN ENERO "SERENITY" DE BENJAMIN WALLFISCH


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PODCAST JOHN WILLIAMS: AÑOS 70 (PARTE 2)

Segunda y última parte centrada en las partituras escritas por John Williams durante la década de los 70, en esta ocasión desde 1975 hasta 1979. Las películas son las siguientes:
Licencia para matar, Tiburón, La trama, Missouri, La batalla de Midway, Domingo negro, La guerra de las galaxias, Encuentros en la tercera fase, La furia, Tiburón 2, Superman, Drácula, 1941.
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ACTUALIZADO: BACK LOT (DIGITAL) E INTRADA (CD) EDITAN "WELCOME TO MARWEN" DE ALAN SILVESTRI



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PODCAST JOHN WILLIAMS: AÑOS 70 (PARTE 1)

Programa dedicado a todas las partituras escritas originalmente y adaptadas por John Williams durante su fructífera década de los 70. En esta primera parte me centro en los scores que van desde 1970 hasta 1974. Son los siguientes:
Alma rebelde, Historia de una mujer, El violinista en el tejado, The screaming woman, Los cowboys, Imágenes, La aventura del Poseidón, Risas y lágrimas, Un largo adiós, Las aventuras de Tom Sawyer, El hombre que amó a Cat Dancing, Vida de un estudiante, Permiso para amar hasta medianoche, Conrack, Loca evasión, Terremoto, El coloso en llamas.
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EDICIONES ROSETTA PUBLICA EL LIBRO DE JOAN PADROL "DICCIONARIO DE DISCOS COMPACTOS DE BANDAS SONORAS AMERICANAS"

Texto extraído de la web oficial de Rosetta:

Nos complace informar a nuestros clientes del próximo lanzamiento del libro DICCIONARIO DE DISCOS COMPACTOS DE BANDAS SONORAS AMERICANAS de Joan Padrol, uno de los mas reconocidos expertos en la música de cine de este país.
El libro hace un amplio recorrido por la edición en CD de bandas sonoras americanas desde la aparición de este formato hasta nuestros días. Imprescindible en la biblioteca de cualquier aficionado a la música de cine.
“Este “Diccionario de discos compactos de bandas sonoras americanas” es continuación del libro “Diccionario de Bandas Sonoras” cuya reseña se ceñía sólo a discos de vinilos de bandas sonoras de todas las cinematografías. Dado que el compacto ha ampliado la oferta de novedades de músicas cinematográficas el autor ha optado por ceñirse sólo a la banda sonora americana, comentando aquellas novedades que no habían salido nunca en vinilo o las reediciones de discos que habían sido lanzadas antes en formato de vinilo, pero que han ampliado ahora su oferta con más tracks de fragmentos del film que no habían aparecido anteriormente. Los discos de un mismo autor están todos juntos y están ordenados por antigüedad comenzando por clásicos como Korngold, Steiner o Rozsa y concluyendo por los más actuales”.
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EDICIÓN DIGITAL DE "ON THE BASIS OF SEX" DE MYCHAEL DANNA


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NOVEDADES DIGITALES DE DISQUES CINÉMUSIQUE





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EDICIÓN DIGITAL DEL SCORE DE BEN FROST PARA LA 3ª TEMPORADA DE "FORTITUDE"


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EDICIÓN DIGITAL DEL SCORE DE TIM JONES PARA "BACKTRACE"


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LAKESHORE EDITA "THREE IDENTICAL STRANGERS" DE PAUL SAUNDERSON


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EDICIÓN DIGITAL DEL SCORE DE ROQUE BAÑOS PARA LA COMEDIA "MIAMOR PERDIDO"


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UNIVERSAL EDITA LA BSO DE LA 2ª TEMPORADA DE "THE MARVELOUS MISS MAISEL" DE VVAA


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EDICIÓN DE LA BSO DE LA PELÍCULA DE ALFONSO CUARÓN "ROMA"

Sony Music, Netflix, Participant Media, and Esperanto Filmoj present the Motion Picture Soundtrack of ROMA, which is available through all digital platforms, on the same day that the film premieres on Netflix.
Curated by the director Alfonso Cuarón and the soundtrack producers Lynn Fainchtein and Randall Poster, the soundtrack of ROMA brings us back to the sonic Mexico of the 1970s, when the famous XEW, a reference of Mexican radio, transmitted English pop and rock, while gradually introducing the new Mexican pop, through performers like José José, Juan Gabriel, and Rigo Tovar, musical icons that in the present, have remained as references of Mexican and Latin American music.
The music of ROMA portrays the musical diversity of those years, from rock as the nascent symbol of the counterculture, to a few months of the Avándaro Festival, to the tropical rhythms and pop that marked the decade.
This emotional musical compilation narrates in itself many stories of the Mexico of those years, immersed in sociopolitical and cultural transitions that seem to oscillate between the impetus of change and resistance to it. That is why ROMA is the portrait of the great mosaic of sounds that face and complement each other in a clash between the past and the possibility of a future; between the world and Mexico and among the many Mexicos that the film shows us.
ROMA, is the most recent production by Alfonso Cuarón and the first Mexican film to win the "Golden Lion" as best film at the Venice International Film Festival; considered by critics around the world as one of the best movies of 2018 and of recent years.
1. Te He Prometido - Leo Dan
2. Más Bonita Que Ninguna - Rocío Dúrcal  
3. No Tengo Dinero - Juan Gabriel
4. La Nave del Olvido - José José
5. Gracias - Rigo Tovar
6. Sombras - Javier Solís
7. Yellow River - Christie
8. I Don’t Know How to Love Him - Yvonne Elliman
9. Corazón de Melón - Orquesta Pérez Prado  
10. Los Ojos de Pancha -Trío Chicontepec
11. Mammy Blue -  Roger Whittaker 
12. Those Were The Days - Ray Conniff & The Singers
13. La Casa del Sol Naciente - Javier Bátiz
14. Ciudad Perdida - La Revolución de Emiliano Zapata
15. Vamos a Platicar - Los Socios del Ritmo  
16. Mi Corazón Es un Gitano - Lupita D'Alessio
17. Cuando Me Enamoro (Quando M'Innamoro) - Angélica María
18. Mar y Espuma -  Acapulco Tropical
19. La Suegra - Elbert Moguel y Los Strwck

Listen to ROMA: Motion Picture Soundtrack:
Watch the movie on Netflix:
Watch the trailer:
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SONY EDITA "SPIDER-MAN: INTO THE SPIDER-VERSE" DE DANIEL PEMBERTON

Sony Music proudly announces the release of SPIDER-MAN™: INTO THE SPIDER-VERSE (Original Motion Picture Soundtrack)featuring original music by multiple Golden Globe nominee Daniel Pemberton. The soundtrack will be released digitally and on CD on December 17, 2018. Columbia Pictures and Sony Pictures Animations’ Spider-Man™: Into the Spider-Verse will debut in U.S. theaters on December 14.
Phil Lord and Christopher Miller, the creative minds behind The Lego Movie and 21 Jump Street, bring their unique talents to a fresh vision of a different Spider-Man Universe, with a groundbreaking visual style that’s the first of its kind. Spider-Man™: Into the Spider-Verse introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the mask.
Directed by Bob Persichetti, Peter Ramsey and Rodney Rothman, the screenplay is by Phil Lord and Rodney Rothman from a story by Phil Lord based on the Marvel Comics. The film is produced by Avi Arad, Amy Pascal, Phil Lord, Christopher Miller and Christina Steinberg. Stan Lee, Brian Michael Bendis and Will Allegra serve as executive producers. The film features the voices of Shameik Moore, Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, Zoë Kravitz, John Mulaney, Kimiko Glenn with Nicolas Cage, Kathryn Hahn and Liev Schreiber.
“Daniel’s innovative score combines a multi-verse of techniques, including intricate DJ scratching, powerful electronic synths and soaring orchestral arrangements,” said Spring Aspers, Head of Music, Creative Affairs Worldwide for Sony Pictures Entertainment’s Motion Picture Group. “It’s a perfect blend of influences that captures Miles Morales’s Brooklyn world and the film’s inclusive, optimistic message of heroism: that when it’s time to step up, anyone can wear the mask.”
Daniel Pemberton says about the soundtrack: “It has been such a pleasure to enter the Spider-Verse with such an amazing array of collaborators and truly ground-breaking directors. I absolutely love this film, I love the risks taken, the story, the astonishing art style, everything. I feel so lucky to have been a part of it and to have the opportunity to create a whole new musical universe for one of the world's most beloved superheroes - Spider-Man.
ABOUT DANIEL PEMBERTON
Daniel Pemberton is a multi-Golden Globe, Emmy and Bafta Award-nominated composer who has been regularly cited as one of the most exciting and original new voices working in modern film scoring today. Constantly working with some of the most renowned names in the industry Pemberton has already scored projects for the likes of Danny Boyle (Steve Jobs), Ridley Scott (All The Money In The World, The Counsellor), Aaron Sorkin (Molly’s Game), Darren Aronofsky (One Strange Rock) and Guy Ritchie (The Man From UNCLE).
His bold writing and unusual and innovative arrangements on scores for movies has seen the soundtracks constantly singled out for critical acclaim whether they are studio films such as such as “Oceans 8” and “King Arthur: Legend of the Sword” or smaller independent features such as the Cannes Palm D’Or nominee “Mal De Pierres” (starring Marion Cotillard). He has received Golden Globe nominations for his mix of opera and electronics in the score to Danny Boyle's “Steve Jobs” (starring Michael Fassbender and Kate Winslet) as well as one for Best Original Song – performed and co-written by Iggy Pop - for the Stephen Gaghan film ‘Gold’ (Starring Matthew McConaughey). He was recently nominated for an Emmy for his work on the groundbreaking ‘USS Callister’ episode of Black Mirror for Netflix. He was previously honoured as Discovery of The Year at the World Soundtrack Awards in 2014 and nominated as Composer of the Year in 2016. Spider-Man™: Into the Spider-Verse marks his first foray into feature length animation.

CD version:
1.       Into the Spider-Verse
2.       Only One Spider-Man
3.       Visions Brooklyn 1, 2, 3
4.       Security Guard
5.       Comic Book
6.       Green Goblin Fight
7.       The Amazing Spider-Man
8.       The Collider
9.       Destiny
10.    Escape the Subway
11.    Mi Amor
12.    Spider Training
13.    Rest in Peace
14.    My Name is Peter B. Parker
15.    For the Love of MJ
16.    Peter Enters the Spider-Verse
17.    Cemetery Splat
18.    Catch the S Train
19.    Quantum Physics
20.    Gimme the Goober
21.    Alchemax Infiltration Plan
22.    Alchemax Arrival
23.    Spider-Man Science
24.    Take the Computer and Run
25.    Are You Ready to Swing?
26.    Kingpin Clicks
27.    Aunt May and the Spider-Shed
28.    The Prowler
29.    Breakdown the House..
30.    .. and Tear off the Roof
31.    On Your Way
32.    This Spark in You
33.    Spider-Team Mission
34.    Suicide Squad
35.    Miles Morales Returns
36.    Saying Goodbye
37.    Shut it Down
38.    Kingpin Fight
39.    Shoulder Touch
40.    Aftermath
41.    Spider-Man Loves You
Digital version:
1.       Into the Spider-Verse
2.       Only One Spider-Man
3.       Visions Brooklyn 1, 2, 3
4.       Security Guard
5.       Comic Book
6.       Green Goblin Fight
7.       The Amazing Spider-Man
8.       The Collider
9.       Destiny
10.    Escape the Subway
11.    Mi Amor
12.    Spider Training
13.    Rest in Peace
14.    My Name is.. Peter B. Parker
15.    For the Love of MJ
16.    Peter Enters the Spider-Verse
17.    Cemetery Splat
18.    Catch the S Train
19.    Quantum Physics
20.    Gimme the Goober
21.    Alchemax Infiltration Plan
22.    Alchemax Arrival
23.    Spider-Man Science
24.    Take the Computer and Run
25.    Are You Ready to Swing?
26.    Gwen Enters the Spider-Verse
27.    Kingpin Clicks
28.    Aunt May and the Spider-Shed
29.    The Prowler
30.    Breakdown the House..
31.    .. and Tear off the Roof
32.    On Your Way
33.    The Team Leaves
34.    This Spark in You
35.    Spider-Team Mission
36.    MJ In The Restaurant
37.    Suicide Squad
38.    Miles Morales Returns
39.    Saying Goodbye
40.    Shut it Down
41.    Kingpin Fight
42.    Shoulder Touch
43.    Aftermath
44.    Spider-Man Loves You

ABOUT SONY PICTURES ENTERTAINMENT
Sony Pictures Entertainment (SPE) is a subsidiary of Sony Entertainment Inc., which is a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production, acquisition, and distribution; television production, acquisition, and distribution; television networks; digital content creation and distribution; operation of studio facilities; and development of new entertainment products, services and technologies. SPE’s Motion Picture Group production organizations include Columbia Pictures, Screen Gems, TriStar Pictures, Sony Pictures Animation, Stage 6 Films, AFFIRM Films, and Sony Pictures Classics. For additional information, visit http://www.sonypictures.com/corp/divisions.html.
Sony Music Masterworks comprises Masterworks, Sony Classical, OKeh, Portrait and Masterworks Broadway imprints. For email updates and information please visit www.sonymusicmasterworks.com/.

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WATERTOWER EDITA EL SCORE DE RUPERT GREGSON-WILLIAMS PARA "AQUAMAN"

WaterTower Music is excited to announce today’s release of the soundtrack to Aquaman, the action-packed adventure film from director James Wan that spans the vast, visually breathtaking underwater world of the seven seas. The soundtrack is now available, and the film is in theaters on December 21. Aquaman features an original score by multi-award-winning composer Rupert Gregson-Williams (Wonder Woman, Hotel Rwanda, Hacksaw Ridge), includes a track by composer Joseph Bishara (The Conjuring, Annabelle) and debuts the new songs “Ocean To Ocean” by Pitbull Feat. Rhea, and the end title song Everything I Need” by Skylar Grey.
 
To bring the film’s themes to life musically, Aquaman director James Wan turned to composer Rupert Gregson-Williams, who says, “Writing the themes for the different characters was awesome. Arthur Curry has such a strong character—he’s a real rock star—so I felt he deserved a big melody. He gets to rock out for certain intense moments too. Orm is Atlantean, and the score I wrote for Atlantis is in big contrast to the score for the surface world, epic and glorious. Black Manta inspired a more industrial, electronic feel. And, of course, there’s romance—two in fact. Atlantis and the entire world James created is truly amazing, giving me such a rich opportunity.” 
 
“James Wan has given me such a rare opportunity and I am so unbelievably grateful,” explains Skylar Grey. “James, score composer Rupert Gregson-Williams, as well as every person behind the scenes on this project has been a dream to work with...a team of extremely respectful and professional people who I’m now honored to call friends. ‘Everything I Need,’ written by myself and my fiancé, Elliott Taylor, was inspired by the forbidden love story that is threaded throughout the movie, and we are very passionate about this song.”
 
“The ocean, the sea and any body of water, to me, is true freedom,” said Armando Christian Perez (Pitbull), who was inspired by the film’s settings and themes, and especially by Aquaman’s struggle between his two worlds—the surface and the sea. “The ocean has always been the border from where my parents came from Cuba and the United States, which gives us freedom.  That’s why I respect water.  Bottom line: water gives us freedom.” 
 
 
The track list is as follows:
  1. “Everything I Need (Film Version)” - Skylar Grey 
  2. Arthur 
  3. Kingdom Of Atlantis 
  4. It Wasn't Meant To Be 
  5. Atlantean Soldiers 
  6. What Does That Even Mean? 
  7. The Legend Of Atlan 
  8. Swimming Lessons 
  9. The Black Manta 
  10. What Could Be Greater Than A King?
 
  1. Permission To Come Aboard 
  2. Suited And Booted 
  3. Between Land And Sea 
  4. He Commands The Sea 
  5. Map In A Bottle 
  6. The Ring Of Fire 
  7. Reunited 
  8. “Everything I Need” - Skylar Grey 
  9. “Ocean To Ocean” - Pitbull feat. Rhea 
  10. “Trench Engaged (from Kingdom of The Trench)” - Joseph Bishara 
 
From Warner Bros. Pictures and director James Wan comes an action-packed adventure that spans the vast, visually breathtaking underwater world of the seven seas, Aquaman, starring Jason Momoa in the title role. The film reveals the origin story of half-surface dweller, half-Atlantean Arthur Curry and takes him on the journey of his lifetime—one that will not only force him to face who he really is, but to discover if he is worthy of who he was born to be…a king.
 
The film also stars Amber Heard; Oscar nominee Willem Dafoe; Patrick Wilson; Dolph Lundgren; Yahya Abdul-Mateen II; and Oscar winner Nicole Kidman.  Also featured are Ludi Lin and Temuera Morrison. Wan directed from a screenplay by David Leslie Johnson-McGoldrick and Will Beall, story by Geoff Johns & James Wan and Will Beall, based on characters created by Paul Norris and Mort Weisinger for DC.  The film was produced by Peter Safran and Rob Cowan, with Deborah Snyder, Zack Snyder, Jon Berg, Geoff Johns and Walter Hamada serving as executive producers.
 
Warner Bros. Pictures Presents a Peter Safran Production, a James Wan Film, Aquaman.  The film is being released in 3D and 2D and IMAX, and will be distributed worldwide by Warner Bros. Pictures.  Aquaman is rated PG-13 for sequences of sci-fi violence and action, and for some language. www.aquamanmovie.com
 
About WaterTower Music:
WaterTower Music, the in house music label for Warner Bros., has been releasing recorded music since 2001 and has released over 200 titles, including the film soundtracks and scores to Crazy Rich Asians, Wonder Woman, Interstellar, Game Of Thrones, Westworld, The Hobbit Trilogy, The LEGO® Movie, The Dark Knight Rises, Project X, Rock of Ages, Hairspray, Sex and the City, Elf, The Notebook, and Love and Basketball, among others.  
 
About Rupert Gregson-Williams:
RUPERT GREGSON-WILLIAMS (Composer) was born in England and educated at St. John’s College Choir School, Cambridge. The multi-award-winning composer works from his studios in both London and Los Angeles.
 
A truly versatile composer, Gregson-Williams has written the scores for a wide range of feature films, including the Oscar-winning “Hotel Rwanda,” for which he was awarded the European Film Award for Best Composer; the animated films “Over the Hedge” and Jerry Seinfeld’s “Bee Movie,” receiving an Annie Award nomination for his score for the latter; and the independent film “Love + Hate,” for which he was awarded the Reims International Composer Award.
 
Most recently, Gregson-Williams scored the blockbuster and critically acclaimed “Wonder Woman,” directed by Patty Jenkins and starring Gal Gadot and Chris Pine, which opened in 2017; the award-winning war drama “Hacksaw Ridge,” starring Andrew Garfield and directed by Mel Gibson, which premiered at the Venice International Film Festival and opened nationwide in 2016; and the international hit “The Legend of Tarzan,” starring Alexander Skarsgård and Margot Robbie and directed by David Yates.
 
For television, Gregson-Williams wrote the music for TNT’s “The Alienist,” starring Dakota Fanning, Luke Evans and Daniel Bruhl, which premiered in January 2018. He also wrote the score for the original Netflix series “The Crown,” created by Peter Morgan, which premiered on  Netflix in November 2016, with the second season having debuted in December 2017. He received an Emmy nomination in 2017 for Outstanding Music Composition for a Series (Original Dramatic Score) for his work on the first season of “The Crown.” He has also composed the music for various other TV projects, including the Emmy Award-winning HBO series “Veep,” AMC’s “The Prisoner,” and Sky Vision’s “Agatha Raisin.” He received an Emmy nomination for the 2002 telefilm “Jack and the Beanstalk: The Real Story,” for Outstanding Music Composition for a Miniseries, Movie or a Special (Dramatic Underscore).
 

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SILVA SCREEN EDITA EN ENERO LA MÚSICA DE BLAIR MOWAT PARA LA SERIE "CLASS"


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NOVEDADES DE MOVIESCORE MEDIA


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PRIMERA TANDA DE NOMINACIONES MUSICALES (ACTUALIZADO)


Se acerca el final de año y, como es costumbre, los premios (en este caso nominaciones) van reflejando, con mayor o menor acierto artístico, lo que ha sido musicalmente 2018. 
Por un lado, los Premios Annie de la animación, cuyos candidatos son los siguientes:
  • Michael Giacchino, por Los Increíbles 2.
  • Danny Elfman, por El Grinch.
  • Harry Gregson-Williams y Tom Howe, por Cavernícola.
  • Henry Jackman, por Ralph rompe Internet.
  • Heitor Pereira, por Smallfoot.
Los Critics Choice Awards han seleccionado a los siguientes compositores:
  • Kris Bowers, por Green Book.
  • Nicholas Britell, por El blues de Beale Street.
  • Alexandre Desplat, por Isla de perros.
  • Justin Hurwitz, por El primer hombre.
  • Marc Shaiman, por El regreso de Mary Poppins.
Por su parte, los Premios Feroz, organizados por la Asociación de Informadores Cinematográficos de España, selecciona como mejores scores del año a:
  • Lucas Vidal, por El árbol de la sangre.
  • Nico Casal, por La enfermedad del domingo.
  • Alberto Iglesias, por Quién te cantará y Yuli.
  • Olivier Arson, por El reino.
Siguiendo en España, los candidatos a mejor banda sonora del año en los Goya (Web oficial) son:
  • Olivier Arson, por El reino.
  • Iván Palomares, por En las estrellas.
  • Manuel Riveiro y Xavi Font, por La sombra de la ley.
  • Alberto Iglesias, por Yuli.
En quinto lugar los Premios Británicos del Cine Independiente, con los siguientes nominados:
  • Jonny Greenwood, por En realidad nunca estuviste allí.
  • Aaron Cupples, por Island of the hungry ghosts.
  • Richard Hawley, por Funny cow.
  • Anne Nikitin, por Beast.
En sexto lugar, los Premios Satellite, concedidos por la Academia de Prensa Internacional, que ha seleccionado los siguientes scores y compositores:
  • Thomas Ades, por Colette.
  • Alexandre Desplat, por The Sisters Brothers.
  • Terence Blanchard, por Infiltrado en el KKKlan.
  • Nicholas Britell, por El blues de Beale Street.
  • Justin Hurwitz, por El primer hombre.
  • Hans Zimmer, por Viudas.
Y, aunque vayan, como siempre, con un año de retraso en la mayoría de los casos, también acaban de anunciarse las nominaciones a los Grammy (Web), que en el apartado de mejor score son:
  • Ludwig Göransson, por Black Panther.
  • Benjamin Wallfisch y Hans Zimmer, por Blade Runner 2049.
  • Alexandre Desplat, por La forma del agua.
  • John Williams, por Star Wars: Los últimos Jedi.
  • Michael Giacchino, por Coco.
Finalmente, los Globos de Oro (Nominados en todas las categorías), cuyos nominados en el apartado de mejor score son los siguientes:
  • Marco Beltrami, por Un lugar tranquilo.
  • Alexandre Desplat, por Isla de perros.
  • Ludwig Göransson, por Black Panther.
  • Justin Hurwitz,por El primer hombre.
  • Marc Shaiman, por El regreso de Mary Poppins.
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